FROM CHINESE PAINTING TO WEARABLE ART

References:

 

Bryant, N. & Hoffman, E. (1994). A critical framework for exploring the aesthetic dimensions of     wearable art. In M. R. DeLong & A. M. Fiore (Eds.), ITAA special publication #7, Aesthetics of textiles and clothing: Advancing multi-disciplinary perspectives, 84-96.

 

Becker, H. S. (1978). Arts and crafts. American Journal of Sociology, 83(4), 862-889.  

Damhorst, M. L. (1990). In search of a common thread: classification of information communicated through dress. Clothing and Textiles Research Journal, 8(2), 1-12.

 

Kaiser, S. B. (1985). The social psychology of clothing and personal adornment. New York: Macmillan.

 

Stone, G. P. (1962). Appearance of the self. In A. M. Rose (Eds.), Human behavior and social processes: An interactionist approach (pp. 86-118). New York: Houghton Mifflin. 

 

Mornu, N. (2011). 500 felt objects: Creative explorations of a remarkable material. New York: Lark Crafts, an Imprint of Sterling Publishing Co., Inc.

 

Tuckman, D. & Janas, J. (1992). The complete book of silk painting. Cincinnati, Ohio: North Light Books.

 

Dongchu, H. (1991). The way of the virtuous: The influence of art and philosophy on Chinese garden design. Beijing: New World Press.